Film

War Is A Drug

Nothing yet has made so crystal clear to me exactly how much I do NOT understand about what is going on in Iraq than this year’s Oscar-nominated film The Hurt Locker. Directed by Kathryn Bigelow, who has been endlessly (and a little annoyingly) praised for her skill at capturing the hyper-masculine emotional intensity and complexity…

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Quiet Desperation

The new film Up in the Air, directed by Jason Reitman of Juno and Thank You For Smoking fame, has gotten a lot of buzz lately, most of it surrounding George Clooney’s performance as a “corporate downsizer” (he fires people for a living) and for-all-intents-and-purposes homeless, constantly “up in the air” business traveler (his greatest…

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The Tie That Binds

At the beginning of the 2008 film Doubt (an adaptation of John Patrick Shanley’s play by the same name), a priest challenges his congregation with an unorthodox sermon about the nature of the ties that bind us together. Father Flynn (Philip Seymour Hoffman) asks his flock: “What do you do when you’re not sure? ”…

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District 9 and Science (Non)Fiction

I went with a friend to see the new sci-fi film District 9 last night, despite the fact that, as a rule, I’m not a huge fan of science fiction. It was a great film. It was produced by Peter Jackson (of Lord of the Rings fame), and South African writer/director, Niell Blomkamp, makes his…

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Sidney Lumet’s Perfect Tragedy

I finally got around to watching Sidney Lumet’s critically-acclaimed 2007 film Before the Devil Knows You’re Dead. Of course, Lumet really is one of the best of American directors, especially adept at manufacturing and sustaining cinematic tension, as is obvious from many of his previous films like 12 Angry Men, Serpico, Dog Day Afternoon, The…

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The Coen Brothers’ Coin-Flip: amor fati or fait accompli ?

Last year’s Academy Award for Best Picture went to the Coen Brothers’ haunting film No Country for Old Men, based on the novel of the same name by (University of Tennessee alum) Cormac McCarthy. In one of the most important scenes– which actually occurs twice–the film’s murderous, mysterious, and thoroughly amoral antagonist, Anton Chigurh (Javier…

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Who Speaks for the People?

I’m going to say it: The Dark Knight did not impress. Yes, of course, I thought Heath Ledger’s turn as the fledgling Joker was an impressive performance. (And, yes, of course it’s a tragedy that Heath Ledger is no longer with us.) I know I’m going to sound a bit like a broken record here,…

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There Will Be Blood is a bad Taxi Driver

I just watched There Will Be Blood (2007), the Paul Thomas Anderson film adaptation of Upton Sinclair’s novel Oil! about a small Texas village that becomes a boomtown in the crude oil rush of the early twentieth century. Daniel Day-Lewis won an Academy Award for his performance as Daniel Plainview, the story’s tortured protagonist, and…

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Goodfellas

In my last post, I praised the skill and acumen of director Martin Scorcese’s Taxi Driver, which I think is one of his best films. In a rather serendipitous turn of events, I also watched on television that same night the American Film Institute’s 10 Top 10, which listed the top ten films in ten…

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Bandidos Yanquis

Since I’m spending most of my days writing about philosophy, I’ve decided to limit my writing on this blog to the topic of film for a little while. Today, the subject is another one of my favorites, Butch Cassidy and the Sundance Kid starring Paul Newman and Robert Redford (soundtrack, funny enough, by Burt Bacharach)….

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