Pop Culture/Film/Literature

31 Day Film Challenge, Day 2: Your Least Favorite Film

I just want to say in advance that I don’t think my pick for today is the worst movie ever made.  I took a peek at what Wikipedia lists as “the worst films ever made” (allegedly determined by “reputable critics in multiple reputable sources”) and discovered that I had not seen a single one of…

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31 Day Film Challenge, Day 4: A Film That Makes You Sad

Psychology researchers James J. Gross and Robert W. Levenson published a study about 15 years ago entitled “Emotion Elicitation Using Films” in which they determined that the “saddest” movie of all time was the 1978 tearjerker The Champ (starring Jon Voight and a very young Ricky Schroder).  In particular, Gross and Levenson determined that this…

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31 Day Film Challenge, Day 3: A Film That Makes You Happy

Most people who know me also know of my unabashedly-fangirl affection for the 1997 documentary Hands on a Hard Body, which tells the story of an endurance contest in which roughly two dozen small-town Texans compete to win a Nissan hardbody truck. The concept is simple, really: everyone puts his or her hand on the…

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31 Day Film Challenge, Day 6: A Film That Reminds You Of A Certain Event

Like yesterday, I found today’s prompt for the 31 Day Film Challenge really difficult.  I can think of dozens of songs that remind me of certain events in my life, but I had to think long and hard to come up with a film that did the same.  (I’ll just refer you to my explanation…

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31 Day Film Challenge, Day 5: A Film That Reminds You of Someone

First, I want to say that it’s been really great seeing everyone’s 31 Day Film Challenge picks show up each day on the Facebook page for our Challenge. I’ve got a lot of new movies to watch. Today’s pick was surprisingly difficult for me.  There was a similar prompt on Day 5 of the original…

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31 Day Film Challenge, Day 7: A Film With Your Favorite Soundtrack

For today’s pick I’m making a somewhat ticky-tack distinction between a film “soundtrack” and a film “score.”  My favorite film score is definitely Ennio Morricone‘s composition for The Mission, one of the most hauntingly beautiful pieces of music ever written as far as I’m concerned.  I picked The Mission on Day 1 of this Challenge,…

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Poverty Porn, Pre-Humanism and Beasts of the Southern Wild

Several weeks ago, I saw Beasts of the Southern Wild (adapted from the one-act play Juicy and Delicious by Lucy Alibar), the first feature-length film by director Benh Zeitlin and possibly one of the toughest films to characterize that I’ve ever seen.  Whatever other faults it may have– and I will get to those shortly–…

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The “Real” and “True” You

Last week, my Philosophy and Film class took up the theme of “documentary truth.”  In preparation for our Tuesday night seminar, students were required to choose one film from a list of documentaries (Grizzly Man, The Thin Blue Line, Night and Fog, Bowling for Columbine, Capturing the Friedmans, Man on Wire, Super Size Me, Ghosts…

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Film of Exception: Zero Dark Thirty

I’m not sure exactly where to place the blame for the total disappointment that is the (Academy Award-nominated) film Zero Dark Thirty, which tells a based-on-real-events story of “the greatest manhunt in history.”  The hunted is, of course, al-Qaeda founder and mastermind behind the 9/11 attacks Osama bin Laden.  Zero Dark Thirty is organized as…

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Concepts in Motion (or, Why You Should Assign Short-Films in Philosophy Courses)

“I say that I do philosophy, which is to say that I try to invent concepts.  What if I say, to you who do cinema: what do you do?” –Gilles Deleuze French philosopher Gilles Deleuze famously speculated in Cinema 1 (1983) that what he called the “movement-image,” a unique creative product of cinema, makes it…

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