Month: March 2015

Blurred Lines, Part Deux: Appropriation vs. Expropriation

Yesterday, my good friend, fellow music-lover and ridiculously super-smart guy, Steven Thomas (Asst Professor of English and Director of Film and Media Minor, Wagner College), published  on his blog a response to and critique of my post from a couple of days ago on the Thicke/Pharrell/Gaye lawsuit (“On Blurred Lines, Pop Music, Pirates/Thieves and Memphis’ Mustang Sally”). His…

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On Blurred Lines, Pop Music, Pirates/Thieves and Memphis’ Mustang Sally

Yesterday, a Los Angeles federal jury awarded $7.4 million to the family of late, great R&B singer Marvin Gaye for copyright infringement by contemporary pop-icons Robin Thicke and Pharrell Williams.  The jurors determined that Thicke’s 2013 chart-topper “Blurred Lines” copied elements of Gaye’s 1977 hit “Got to Give It Up.” Although they were instructed to consider only…

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Trigger Warnings, Spoiler-Alerts, Philosophy and Film

Over the last couple of years, the practice of including “trigger warnings” on course syllabi or articulating them aloud in classes that include potentially disturbing, offensive or triggering content has become the institutional norm, if not also a requirement (as it is more or less becoming at many institutions). What detractors remain don’t really question the fundamental advisability…

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Relativism, Revolutionary Fictionalism, Moral Facts and #TheDress

[Disclaimer: this post is a brief, quickly-composed and so incomplete response to a number of tangentially-related events and essays from the last several days.  I have a lot more to say about all of them, including how they are not merely tangentially-related, but not now.] If you haven’t already, you should read yesterday’s Stone article in the…

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