RMWMTMBM Archive

30 Day Song Challenge 2015

Once again this June, I’ll be blogging the 30 Day Song Challenge, which I’ve done for the last few years. Since I began in 2011, the official list of Challenge prompts has changed several times, so this year I’ve tried to mashup the best parts of previous iterations into a new “2015” version of the…

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Dear Memphis: You’ve Got To Love Them While They Live

Yesterday, Memphis turned out in force at W.C. Handy Park and on Beale Street to bid its final farewell in a home-going celebration for one of our city’s musical legends, B.B. King, who passed away last week.  It was a dark and cloudy morning, which felt strangely appropriate, as Nature herself seemed unable to hold…

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The Thrill Lives On

This has been a tough year for Memphis music.  We’ve lost a lot of greats, some better known than others, each an irreplaceable spiritual brick in the impregnable wall of sound that guards and protects and defines this city.  The fact that so many have been called home recently serves as a bittersweet reminder that…

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Our Dirty War

The disappearance of citizens displays a perversely cruel and absolute sovereignty. —Ruti Teitel, Transitional Justice (2002) I should begin by noting that I started writing what follows last week, after the publication of the New York Times story on the “1.5 Million Missing Black Men in America” but before the popular uprising in Baltimore that began Monday as…

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Blurred Lines, Part Deux: Appropriation vs. Expropriation

Yesterday, my good friend, fellow music-lover and ridiculously super-smart guy, Steven Thomas (Asst Professor of English and Director of Film and Media Minor, Wagner College), published  on his blog a response to and critique of my post from a couple of days ago on the Thicke/Pharrell/Gaye lawsuit (“On Blurred Lines, Pop Music, Pirates/Thieves and Memphis’ Mustang Sally”). His…

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On Blurred Lines, Pop Music, Pirates/Thieves and Memphis’ Mustang Sally

Yesterday, a Los Angeles federal jury awarded $7.4 million to the family of late, great R&B singer Marvin Gaye for copyright infringement by contemporary pop-icons Robin Thicke and Pharrell Williams.  The jurors determined that Thicke’s 2013 chart-topper “Blurred Lines” copied elements of Gaye’s 1977 hit “Got to Give It Up.” Although they were instructed to consider only…

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Trigger Warnings, Spoiler-Alerts, Philosophy and Film

Over the last couple of years, the practice of including “trigger warnings” on course syllabi or articulating them aloud in classes that include potentially disturbing, offensive or triggering content has become the institutional norm, if not also a requirement (as it is more or less becoming at many institutions). What detractors remain don’t really question the fundamental advisability…

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Relativism, Revolutionary Fictionalism, Moral Facts and #TheDress

[Disclaimer: this post is a brief, quickly-composed and so incomplete response to a number of tangentially-related events and essays from the last several days.  I have a lot more to say about all of them, including how they are not merely tangentially-related, but not now.] If you haven’t already, you should read yesterday’s Stone article in the…

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The Material Conditions of Grade Inflation

One of my colleagues, Jeff Gross (Asst Professor of American Literature and Culture), posted a really excellent essay entitled “Rethinking Grades” earlier today, which I want to recommend that everyone (especially educators in Tennessee) read post haste.  There, he raises a number of questions about how we think about the phenomenon, widespread in higher education today,…

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The Leigh Johnson Mystery

Here’s the thing everyone needs to understand before s/he starts picking a fight: you can only back people into a corner so far before they come out swinging. UChicago law professor Brian Leiter has decided to pick a fight with me in a comment thread on his blog here. There, in a moderated thread allegedly addressing “issues…

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